Posted by Jeroen de Boer on dec 30, 2012
Dat was een snel genomen beslissing na het zien van deze kalender voor 2013 op Etsy. Het in- en in saaie kantoorexemplaar kan bij het oud papier, want wordt vervangen door BEER/FOOD 2013:
2013 seasonal beer and food pairings calendar. Each month features an illustrated variety of beer and its ideal food mate…India Pale Ale and a burger, Porter and S’mores, Amber Ale and chili, Pilsner and a fish fry…perfect matches. Calendar displayed with a 1 – 1/4 inch bulldog clip.
Final calendar size – 7 x 11
Includes months January – December 2013
When finished with the calendar, each month can be trimmed to be used as art or postcard.
Printed with 7 color ultrachrome pigment inks (very nice and vibrant)
Printed on 100% post consumer waste paper (FSC certified)
Dank je wel voor de attendering Flavorwire!
Posted by Jeroen de Boer on dec 29, 2012
Een vloeibare promo die je eerst in de vriezer moet leggen voordat je ‘m kunt beluisteren? De Zweedse band The Shout Out Louds bracht een gelimiteerde voorbeluistereditie van hun nieuwe album Optica uit die die moeite eerst van je vraagt. Alex Fredlund van het verantwoordelijke bureau TBWA Stockholm over de ijzige versie van het nummer Blue Ice:
We talked to professors at different universities telling us it would never work out, so we had to develop the technique ourselves. After receiving a negative imprint of the song’s master cut, they started experimenting; the office became a kind of amateur chemistry lab, and the team spent hours testing different types of liquid, various drying techniques, and multiple kinds of molds.
One of the biggest challenges was that the bubbles made the ice cloudy and messed up the tiny tracks, which made the needle jump.” Further trial and error revealed that using distilled water did the trick, giving the final product a nice clarity and even surface. Another insight? Time is not, in fact, on your side when working with a frozen substance; functionality and sound quality diminish immediately once the melting starts. A silicone cast allowed for quick and easy record removal, essential to ensuring it could be used straight out of the freezer.
Het originele nummer klinkt als volgt:
bron: Fast Company
Posted by Jeroen de Boer on dec 28, 2012
In het verleden is deze klassieker van Alvin Lucier wel eens bij Edge voorbijgekomen. En alhoewel het geluid geheel voor zichzelf spreekt is het toch een verrijking het gepaard te zien gaan met deze beelden. Over het stuk:
I am sitting in a room (1969) is one of composer Alvin Lucier’s best known works, featuring Lucier recording himself narrating a text, and then playing the recording back into the room, re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Since all rooms have characteristic resonance or formant frequencies (e.g. different between a large hall and a small room), the effect is that certain frequencies are emphasized as they resonate in the room, until eventually the words become unintelligible, replaced by the pure resonant harmonies and tones of the room itself. The recited text describes this process in action—it begins “I am sitting in a room, different from the one you are in now. I am recording the sound of my speaking voice,” and the rationale, concluding, “I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have,” referring to his own stuttering.
De uitgesproken tekst:
I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have.
bron: tweet van WFMU
Posted by Jeroen de Boer on dec 27, 2012
Spelen met modeltreintjes gecombineerd met nieuwe technologie, samengebracht in een oude koffer. Mooi toch?
This is my N-Scale train in a phonograph box. It runs on an Arduino and Motor shield. I put a reed sensor on the tracks, and glued a small magnet underneath the locomotive. When the train passes the over pass, the tin-can bridge closes, the locomotive slows down to a stop and whistles. The train whistle plays from a Radio Shack recorder module. The speaker is hidden inside the overpass. It creates an awesome illusion that the train is actually playing the whistle sound! I put a relay in place of the play button. The recorder is powered through the motor shield. After the train whistles, the two light posts light up in a series of patterns. the tin-can slowly opens and the school rings rings. The train begins again passing through until it reaches the reed sensor and it repeats all over. The red button can be pressed at anytime to activate the whistle.
bron: Neatorama
Posted by Jeroen de Boer on dec 26, 2012
Deze track van Jimi Hendrix maakt deel uit van de tweede editie (2007) van het 365 Days Project. Het fragment werd opgenomen in de Fillmore East op 1 januari 1970, waarvan de complete show op Wolfgangs Vault te vinden is.
Jimi Hendrix – Auld Lang Syne (Live at the Fillmore – 1-1-70) (3:54)
[powerpress]http://blogfiles.wfmu.org/DP/2007/12/360_27_Jimi_Hendrix_-_Auld_Lang_Syne_Live_at_the_Fillmore_-_1-1-70.mp3[/powerpress]