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The eBook User’s Bill of Rights #ebookrights

Posted by on mrt 1, 2011

Eén op één overgenomen van Agnostic, Maybe, The eBook User’s Bill of Rights. Ik onderschrijf het voor de volle honderd procent.

The eBook User’s Bill of Rights is a statement of the basic freedoms that should be granted to all eBook users.

The eBook User’s Bill of Rights

Every eBook user should have the following rights:

  • the right to use eBooks under guidelines that favor access over proprietary limitations
  • the right to access eBooks on any technological platform, including the hardware and software the user chooses
  • the right to annotate, quote passages, print, and share eBook content within the spirit of fair use and copyright
  • the right of the first-sale doctrine extended to digital content, allowing the eBook owner the right to retain, archive, share, and re-sell purchased eBooks

I believe in the free market of information and ideas.

I believe that authors, writers, and publishers can flourish when their works are readily available on the widest range of media. I believe that authors, writers, and publishers can thrive when readers are given the maximum amount of freedom to access, annotate, and share with other readers, helping this content find new audiences and markets. I believe that eBook purchasers should enjoy the rights of the first-sale doctrine because eBooks are part of the greater cultural cornerstone of literacy, education, and information access.

Digital Rights Management (DRM), like a tariff, acts as a mechanism to inhibit this free exchange of ideas, literature, and information. Likewise, the current licensing arrangements mean that readers never possess ultimate control over their own personal reading material. These are not acceptable conditions for eBooks.

I am a reader. As a customer, I am entitled to be treated with respect and not as a potential criminal. As a consumer, I am entitled to make my own decisions about the eBooks that I buy or borrow.

I am concerned about the future of access to literature and information in eBooks.  I ask readers, authors, publishers, retailers, librarians, software developers, and device manufacturers to support these eBook users’ rights.
These rights are yours.  Now it is your turn to take a stand.  To help spread the word, copy this entire post, add your own comments, remix it, and distribute it to others.  Blog it, Tweet it (#ebookrights), Facebook it, email it, and post it on a telephone pole.

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To the extent possible under law, the person who associated CC0 with this work has waived all copyright and related or neighboring rights to this work.

Pitchify: Spotifykrenten uit de pap

Posted by on feb 28, 2011

Curated content wint steeds meer aan waarde op het web en Pitchify is daarvan een erg mooi voorbeeld. De beste muziek volgens de schrijvers van Pitchfork en Drowned in Sound, met directe links naar aanbod in Spotify. Hiervan ga ik zeker gebruik maken.

Pitchify compiles the highest-rated music on Pitchfork and Drowned In Sound into a curated front-end for Spotify. It’s a (plural) marriage made in heaven, for those whose taste tends to align with the reviews on those sites.

Pitchify works by scouring those sites for albums that received an 8/10 or higher from those blogs on a daily basis, then generating direct links to the albums within Spotify.

bron: Pitchify Mashes Spotify with Pitchfork, Drowned in Sound

The World Is Obsessed With Facebook

Posted by on feb 26, 2011

Wederom een mooi filmpje via Open Culture: The Facebook Obsession.

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Filmgeluidenmaker Gary Hecker

Posted by on feb 26, 2011

The Art of Making Movie Sounds op Open Culture bracht me in aanraking met filmgeluidenmaker Gary Hecker. Zijn prestaties hoorde ik vast eerder, maar nu wordt een kijkje achter de schermen getoond.

From “The Empire Strikes Back” to “Robin Hood”, award-winning Foley artist Gary Hecker of Todd-AO says it takes “timing and a huge creative mind” to be the man behind the sound. Here, he shares tips and tricks he’s learned during a career that has spanned more than 200 films.

Hecker also recently joined CSS Studios’ Todd-AO in late 2009. One of the most accomplished Foley artists in Hollywood. Among his recent credits are 2012, The Taking of Pelham 1 2 3, Angel & Demons, Watchmen and the Spiderman trilogy.

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