Sjef van Oekel in de bibliotheek
Uitvallend tegen een pinnige bibliothecaresse wordt de bibliotheek door Sjef van Oekel in allerlei soorten van daglicht gesteld:
Deze heerlijke tracks staan op het album Van Oekel Live At Paradiso Enz.
Uitvallend tegen een pinnige bibliothecaresse wordt de bibliotheek door Sjef van Oekel in allerlei soorten van daglicht gesteld:
Deze heerlijke tracks staan op het album Van Oekel Live At Paradiso Enz.
De man die Slayer’s Reign in Blood produceerde horen praten over stilte en balans. Mooi.
Recording artist whisperer and all-around wizened sage Rick Rubin contemplates life and art on the stunning cliffs outside his Malibu residence in this short film by Alison Chernick. The mogul ruminates on living in harmony with nature, the importance of recreating its perfection in art, and the transcendental power of sound before leading us into a guided meditation, a practice he has followed since becoming fascinated with yogis as a teenager.
bron: Nowness
Read MoreKinderen uit het Paraguayaanse dorp Cateura spelen klassieke muziek op instrumenten die gemaakt zijn met afval uit de plaatselijke afvalberg. Momenteel wordt er gewerkt aan Landfill Harmonic, een documentaire over dit opmerkelijke orkest. Producente Juliana Penaranda-Loftus:
We heard a story about an orchestra that was put together using recycled garbage in April of 2009, it was during our first research trip to Paraguay. In the summer 2010, Alejandra and I came back with director of photography and friend Tim Fabrizio. We arrived to do some initial filming in order to produce a trailer. During that trip, we met the first group of children who were part of the recycled Orchestra, those children are now playing with professional Orchestras. We have been following this story since then. We went back in 2011 and have gone twice in 2012. Now there is a new group of children that have joined the orchestra. We have witnessed the commitment that Favio Chavez (orchestra director) has towards these children of Cateura, their families and their community. There is a whole social process that happens behind running the orchestra. We have developed very strong ties with them during these years and this is a story that goes way beyond the screen.
bron: Open Culture
Read MoreEen vloeibare promo die je eerst in de vriezer moet leggen voordat je ‘m kunt beluisteren? De Zweedse band The Shout Out Louds bracht een gelimiteerde voorbeluistereditie van hun nieuwe album Optica uit die die moeite eerst van je vraagt. Alex Fredlund van het verantwoordelijke bureau TBWA Stockholm over de ijzige versie van het nummer Blue Ice:
We talked to professors at different universities telling us it would never work out, so we had to develop the technique ourselves. After receiving a negative imprint of the song’s master cut, they started experimenting; the office became a kind of amateur chemistry lab, and the team spent hours testing different types of liquid, various drying techniques, and multiple kinds of molds.
One of the biggest challenges was that the bubbles made the ice cloudy and messed up the tiny tracks, which made the needle jump.” Further trial and error revealed that using distilled water did the trick, giving the final product a nice clarity and even surface. Another insight? Time is not, in fact, on your side when working with a frozen substance; functionality and sound quality diminish immediately once the melting starts. A silicone cast allowed for quick and easy record removal, essential to ensuring it could be used straight out of the freezer.
Het originele nummer klinkt als volgt:
bron: Fast Company
Read MoreIn het verleden is deze klassieker van Alvin Lucier wel eens bij Edge voorbijgekomen. En alhoewel het geluid geheel voor zichzelf spreekt is het toch een verrijking het gepaard te zien gaan met deze beelden. Over het stuk:
I am sitting in a room (1969) is one of composer Alvin Lucier’s best known works, featuring Lucier recording himself narrating a text, and then playing the recording back into the room, re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Since all rooms have characteristic resonance or formant frequencies (e.g. different between a large hall and a small room), the effect is that certain frequencies are emphasized as they resonate in the room, until eventually the words become unintelligible, replaced by the pure resonant harmonies and tones of the room itself. The recited text describes this process in action—it begins “I am sitting in a room, different from the one you are in now. I am recording the sound of my speaking voice,” and the rationale, concluding, “I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have,” referring to his own stuttering.
De uitgesproken tekst:
I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have.
bron: tweet van WFMU
Read MoreDeze track van Jimi Hendrix maakt deel uit van de tweede editie (2007) van het 365 Days Project. Het fragment werd opgenomen in de Fillmore East op 1 januari 1970, waarvan de complete show op Wolfgangs Vault te vinden is.
Jimi Hendrix – Auld Lang Syne (Live at the Fillmore – 1-1-70) (3:54)
[powerpress]http://blogfiles.wfmu.org/DP/2007/12/360_27_Jimi_Hendrix_-_Auld_Lang_Syne_Live_at_the_Fillmore_-_1-1-70.mp3[/powerpress]